Overview:
Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.| Status: | Released (2025-10-22) |
|---|---|
| Awards: | 3 wins & 3 nominations total |
| BoxOffice: | $8,393 |
| Screen: | Nia DaCosta, Henrik Ibsen |
| Productions: | Plan B Entertainment, Viva Maude, Orion Pictures |
| Production Countries: | United States of America |
| Spoken Languages: | English |
Backdrops
Posters
Similars
Casts
- 62561: Tessa Thompson - Hedda Gabler
- 681: Nina Hoss - Eileen Lovborg
- 17606: Imogen Poots - Thea Clifton
- 1356645: Nicholas Pinnock - Judge Roland Brack
- 1364004: Tom Bateman - George Tesman
- 1250809: Finbar Lynch - Professor Greenwood
- 2517398: Mirren Mack - Tabitha Greenwood
Crews
- 1795072: Nia DaCosta - Director - Directing
- 1008333: Henrik Ibsen - Theatre Play - Writing
- 54926: Sean Bobbitt - Director of Photography - Camera
- 59533: Lindsay Pugh - Costume Design - Costume & Make-Up
- 1872080: Kishori Rajan - Executive Producer - Production
- 1795072: Nia DaCosta - Producer - Production
- 1333644: Michael S. Constable - Executive Producer - Production
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Reviews
Emily
Review text:
**Awful acting** I am sorry but tessa thompson is a terrible lead actress. I saw her try to act in this movie as well as West World and she needs to find a new day job. My husband actually started laughing out loud at one of her "serious" scenes. Movie was pretty crummy anyway, I ....
Continue reading ->TriceratopsAU
Review text:
I don't understand how the lead actress in this keeps getting parts? She's a terrible actress, it's like she is sitting at a table read and just reading her lines aloud. She has absolutely zero charisma and is is definitely not attractive, nor even cute. I guess Hollywood continues t ....
Continue reading ->Brent Marchant
Review text:
Reinterpreting a classic work of art – no matter what medium it might initially be grounded in – can be a tricky task. This is true when jumping from one milieu to another, such as stage to screen, as well when altering the nature or elements of the work, such as its setting, time fr ....
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