
Overview:
Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.Status: | Released (2024-08-24) |
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Awards: | Nominated for 1 Oscar. 8 wins & 54 nominations total |
BoxOffice: | $654,254 |
Screen: | Aaron Schimberg |
Productions: | A24, Killer Films, Grand Motel Films |
Production Countries: | United States of America |
Spoken Languages: | Pусский, English |





Casts
- 60898: Sebastian Stan - Edward
- 1576786: Renate Reinsve - Ingrid
- 1675188: Adam Pearson - Oswald
- 1803734: Miles G. Jackson - Sean
- 928931: Patrick Wang - Director
- 3626793: Neal Davidson - Corey
- 4495047: Jed Rapfogel - Man in Sunglasses
Crews
- 1184053: Aaron Schimberg - Director - Directing
- 1184053: Aaron Schimberg - Writer - Writing
- 60898: Sebastian Stan - Executive Producer - Production
- 2862: Christine Vachon - Producer - Production
- 1384569: Vanessa McDonnell - Producer - Production
- 2070406: Aaron Saucier - Hair Department Head - Costume & Make-Up
- 2485903: Seth Andrew Bridges - Stunt Coordinator - Crew
fb: | twitter: ADifferentMan | imdb: tt21097228 | insta: adifferentmanmovie
Reviews
CinemaSerf
Review text:
"Edward" (Sebastian Stan) is a facially disfigured man, stuck in a rundown apartment, whose life isn't really going anywhere fast. Then he gets a new neighbour. "Ingrid" (Renato Reinsve) is a writer who befriends him and promises him a part in her play. Meantime, his doctors manage t ....
Continue reading ->good.film
Review text:
_A Different Man_ delights with a delicious paradox: take a character who feels outcast because of his looks, and then – _voila_. Melt away his differences. _Would he suddenly fit in? Would his life instantly turn around? Or is “success” far more than skin deep?_ New York writer-d ....
Continue reading ->Brent Marchant
Review text:
Stories that allegorically address themes related to self-esteem, social acceptance and prejudice undoubtedly merit our attention, provided that they execute their narratives in discernable, cogent, relatable ways. Unfortunately, though, that’s where writer-director Aaron Schimberg’s ....
Continue reading ->