Overview:
On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.Original Title: | Nu Aștepta Prea Mult de la Sfârșitul Lumii |
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Status: | Released (2023-09-27) |
Awards: | 10 wins & 33 nominations total |
BoxOffice: | $73,983 |
Screen: | Radu Jude |
Productions: | 4 Proof Film, Paul Thiltges Distributions, Les Films d'Ici, Kinorama, microFILM |
Production Countries: | Croatia, France, Luxembourg, Romania |
Spoken Languages: | English, Deutsch, Magyar, Italiano, Română |
Casts
- 2080407: Ilinca Manolache - Angela Raducani
- 3983537: Ovidiu Pîrșan - Ovidiu Pîrșan
- 681: Nina Hoss - Doris Goethe
- 102016: Dorina Lazăr - Angela Coman
- 1508620: László Miske - Gyuri
- 592227: Șerban Pavlu -
- 1547403: Katia Pascariu -
Crews
- 4217213: Ioanna Stais - Associate Producer - Production
- 1620686: Konstantinos Kontovrakis - Associate Producer - Production
- 60407: Ada Solomon - Producer - Production
- 2421186: Adrien Chef - Co-Producer - Production
- 1058165: Andreas Roald - Executive Producer - Production
- 1081061: Adrian Sitaru - Producer - Production
- 2697386: Diana Caravia - Executive Producer - Production
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Reviews
CinemaSerf
Review text:
There's something very natural about Ilinca Manolache in this gritty and occasionally quite funny story of "Angela". She seems to spend much of the film driving her car around the streets of Bucharest garnering interviews from the victims of industrial accidents. Why? Well apparently ....
Continue reading ->Brent Marchant
Review text:
Some may find it discouraging to look upon the world with a robustly cynical outlook, yet, given prevailing conditions in the world today, it may sometimes be unavoidable, an attribute reflected in many contexts, including art and cinema. And that’s just what Romanian writer-director ....
Continue reading ->badelf
Review text:
Radu Jude's latest film is a caustic, unfiltered critique that slices through the veneer of contemporary work culture like a hot knife through butter. At its core, this is a merciless examination of late-stage capitalism and gig-working that will leave you simultaneously laughing and ....
Continue reading ->