Overview:
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.| Status: | Released (2022-08-12) |
|---|---|
| Awards: | 3 wins & 6 nominations |
| BoxOffice: | $8,655 |
| Screen: | Inés Toharia Terán |
| Productions: | El Grifilm Productions, Filmoption International |
| Production Countries: | Canada, Spain |
| Spoken Languages: | English |
Backdrops
Posters
Similars
Recommendations
Casts
- 3264451: Ann Adachi-Tasch - Self
- 1034310: Margaret Bodde - Self
- 126750: Serge Bromberg - Self
- 3264453: Te-Ling Chen - Self
- 3264454: Benjamin Chowkwan Ado - Self
- 27436: Costa-Gavras - Self
- 2301754: Dennis Doros - Self
Crews
- 3264449: Inés Toharia Terán - Director - Directing
- 3264449: Inés Toharia Terán - Writer - Writing
- 1357419: Robert Marcel Lepage - Music - Sound
- 2198487: Maryse Rouillard - Producer - Production
- 1322143: Paul Cadieux - Producer - Production
- 3264458: Isaac Garcia Llombart - Executive Producer - Production
- 2487747: Abraham Lifshitz - Editor - Editing
external ids
fb: filmthelivingrecordofourmemory | twitter: | imdb: tt15439196 | insta: filmthelivingrecordofourmemory
Reviews
Brent Marchant
Review text:
Film has become so pervasive in our society that we tend to take it for granted. From big screen blockbusters to intimate arthouse dramas and documentaries to home movies, we see these cinematic records of us and our world virtually everywhere we look. It’s a phenomenon that’s presen ....
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