Overview:
A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.Status: | Released (2022-02-10) |
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Awards: | 7 nominations |
Screen: | David Koepp |
Productions: | New Line Cinema, HBO Max |
Production Countries: | United States of America |
Spoken Languages: | English |
Casts
- 37153: Zoë Kravitz - Angela Childs
- 1687573: Byron Bowers - Terry Hughes
- 545087: Jaime Camil - Antonio Rivas
- 21711: Erika Christensen - Samantha Gerrity
- 2141051: Derek DelGaudio - Bradley Hasling
- 59153: Robin Givens - Angela's Mother
- 134424: Charles Halford - Tall Thug
Crews
- 1890: Philip Messina - Production Design - Art
- 8377: Cliff Martinez - Original Music Composer - Sound
- 3166598: Arian Nikjeh - Visual Effects Producer - Visual Effects
- 51922: Carmen Cuba - Casting - Production
- 7735: Ellen Mirojnick - Costume Design - Costume & Make-Up
- 1844381: Victor Capoccia - Assistant Art Director - Art
- 1324829: Michael Manson - Art Direction - Art
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Reviews
Manuel São Bento
Review text:
MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed the ....
Continue reading ->Robert Grawey
Review text:
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical film ....
Continue reading ->Robert Grawey
Review text:
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood o ....
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