Overview:
An act of civil disobedience turns into a standoff with police when homeless people in Cincinnati take over the public library to seek shelter from the bitter cold.| Status: | Released (2019-04-05) |
|---|---|
| Awards: | 5 wins & 1 nomination total |
| BoxOffice: | $573,503 |
| Screen: | Emilio Estevez |
| Productions: | Hammerstone Studios, E2 Films, Cedarvale Pictures, Living the Dream Films |
| Production Countries: | United States of America |
| Spoken Languages: | English |
Casts
- 7447: Alec Baldwin - Detective Bill Ramstead
- 221809: Taylor Schilling - Angela
- 2880: Emilio Estevez - Stuart
- 20089: Jena Malone - Myra
- 2224: Christian Slater - Josh Davis
- 16429: Jacob Vargas - Ernesto Ramirez
- 17773: Gabrielle Union - Rebecca Parks
Crews
- 1776163: Alex Lebovici - Producer - Production
- 8425: Richard Chew - Editor - Editing
- 2880: Emilio Estevez - Producer - Production
- 2437234: Yang-Hua Hu - Editor - Editing
- 1754603: Steve Ponce - Producer - Production
- 1344143: Lisa Niedenthal - Producer - Production
- 66984: Juan Miguel Azpiroz - Director of Photography - Camera
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Reviews
SWITCH.
Review text:
‘The Public’ feels like the kind of political and cultural commentary needed right now, and it’s obvious that Estevez has crafted something he is passionate about, with good intention. However, the script is sadly so entry-level that it struggles to challenge audiences in the face of ....
Continue reading ->SWITCH.
Review text:
‘The Public’ feels like the kind of political and cultural commentary needed right now, and it’s obvious that Estevez has crafted something he is passionate about, with good intention. However, the script is sadly so entry-level that it struggles to challenge audiences in the face of ....
Continue reading ->SWITCH.
Review text:
‘The Public’ feels like the kind of political and cultural commentary needed right now, and it’s obvious that Estevez has crafted something he is passionate about, with good intention. However, the script is sadly so entry-level that it struggles to challenge audiences in the face of ....
Continue reading ->