Overview:
A poetic and psychedelic journey, tracing flows of waste materials across species boundaries, in and out of hum/animal bodies through sites of scientific control. Oscillating between poetry, documentary, and reenactment, the film slips between the cracks of industrial spaces; below ground, across membranes, factory walls and into orifices and hidden worlds of work. The film is woven together by a series of poems performed by Logan February in which borrowed language accumulates. Sourced from different fields these lyrical experiments refer to fluid dynamics, spirituality, medical history, psychoanalysis and reproductive science.| Status: | Released (2024-11-21) |
|---|---|
| Screen: | Ryan Kim |
| Productions: | The New Museum of Contemporary Art, New York |
| Production Countries: | |
| Spoken Languages: | English |
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