Overview:
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.Status: | Released (1979-12-07) |
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Awards: | Nominated for 3 Oscars. 4 wins & 21 nominations total |
BoxOffice: | $82,604,699 |
Screen: | Gene Roddenberry, Harold Livingston, Alan Dean Foster |
Productions: | Paramount Pictures, Century Associates |
Production Countries: | United States of America |
Spoken Languages: | English |
Casts
- 1748: William Shatner - Admiral James T. Kirk
- 1749: Leonard Nimoy - Mr. Spock
- 1750: DeForest Kelley - Dr. Leonard 'Bones' McCoy
- 1751: James Doohan - Cmdr. Montgomery 'Scotty' Scott
- 1752: George Takei - Lt. Cmdr. Hikaru Sulu
- 1754: Walter Koenig - Lt. Pavel Chekov
- 1753: Nichelle Nichols - Lt. Cmdr. Uhura
Crews
- 1744: Robert Wise - Director - Directing
- 1745: Gene Roddenberry - Producer - Production
- 1760: Jerry Goldsmith - Original Music Composer - Sound
- 1761: Alexander Courage - Original Music Composer - Sound
- 1762: Richard H. Kline - Director of Photography - Camera
- 1765: Harold Michelson - Production Design - Art
- 1767: Todd C. Ramsay - Editor - Editing
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Reviews
Wuchak
Review text:
***Stands Alone in the Feature Film Series*** A colossal, mysterious space cloud called V'ger travels across the galaxy and threatens Earth, annihilating interlopers along the way ; the origins of V'ger are revealed at the end. "Star Trek: The Motion Picture" (1979) addresses ....
Continue reading ->GenerationofSwine
Review text:
BORING. I mean, it opens great. The first few minutes sort of give you the impression that this movie is going to be epic... ... and then the rest of it is best spent looking at your phone, cleaning your finger nails, watching linoleum curl, defrosting your freezer... ... fi ....
Continue reading ->CinemaSerf
Review text:
To be fair, this film does pick up quite plausibly from the television series. The characterisations are roughly the same, if somewhat older - and that does help give it some cohesion; but the opening scene goes on interminably. The premiss is stretched to breaking point and riddled ....
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