Overview:
Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.| Original Title: | Pfau - Bin ich echt? |
|---|---|
| Status: | Released (2025-02-20) |
| Awards: | 2 wins & 3 nominations total |
| Screen: | Bernhard Wenger |
| Productions: | CALA Filmproduktion, Nikolaus Geyrhalter Filmproduktion |
| Production Countries: | Austria, Germany |
| Spoken Languages: | English, Deutsch |
Casts
- 1111158: Albrecht Schuch - Matthias
- 1963404: Julia Franz Richter - Sophia
- 1491022: Anton Noori - David
- 2463295: Theresa Frostad Eggesbø - Ina
- 1412683: Salka Weber - Nora
- 40525: Maria Hofstätter - Vera
- 67010: Branko Samarovski - Johann
Crews
- 1894775: Bernhard Wenger - Writer - Writing
- 1894775: Bernhard Wenger - Director - Directing
- 2595703: Bernhard Schlick - Colorist - Editing
- 4539923: Anne Schubert - Production Accountant - Production
- 1169609: Eva Roth - Casting Director - Production
- 2023870: Albin Wildner - Director of Photography - Camera
- 2595703: Bernhard Schlick - Digital Imaging Technician - Camera
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Reviews
CinemaSerf
Review text:
The moustachioed “Matthias” (Albrecht Schuch) works for a business that rents him out. Not for sex, but for just about everything else and he’s good at it. From a companion at a posh concert to a gay lover to a gent who pretends to be a son so he can help his “dad” get to be presiden ....
Continue reading ->CinemaSerf
Review text:
The moustachioed “Matthias” (Albrecht Schuch) works for a business that rents him out. Not for sex, but for just about everything else and he’s good at it. From a companion at a posh concert to a gay lover to a gent who pretends to be a son so he can help his “dad” get to be presiden ....
Continue reading ->Brent Marchant
Review text:
In this age of increasingly untrustworthy AI, rampant fake news and unabashedly self-serving social media, it’s becoming ever more difficult for many of us to distinguish what’s “real” and what isn’t these days, almost as if we’re stuck in a frightening new Orwellian paradigm. That’s ....
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