Overview:
Joe and Kate Ruttledge have returned from London to live and work among the small, close-knit community near to where Joe grew up. Now deeply embedded in life around the lake, the drama of a year in their lives and those of the memorable characters around them unfolds through the rituals of work, play and the passing seasons as this enclosed world becomes an everywhere.| Status: | Released (2024-04-26) |
|---|---|
| Awards: | 3 wins & 11 nominations |
| Screen: | Eamon Little, Pat Collins, John McGahern |
| Productions: | Break Out Pictures, South Wind Blows, Cyprus Avenue Films, Harvest Films |
| Production Countries: | Ireland, United Kingdom |
| Spoken Languages: | English |
Posters
Similars
Recommendations
Casts
- 1307013: Barry Ward - Joe Ruttledge
- 1186434: Anna Bederke - Kate Ruttledge
- 182043: Lalor Roddy - Patrick Ryan
- 2468: Sean McGinley - Johnny Murphy
- 17026: Ruth McCabe - Mary Murphy
- 4273061: Phillip Dolan - Jamesie Murphy
- 1597391: John Olohan - The Shah
Crews
- 1080230: Pat Collins - Director - Directing
- 3682228: John McGahern - Novel - Writing
- 4273062: Éamon Little - Writer - Writing
- 1080230: Pat Collins - Writer - Writing
- 4188304: Brendan J. Byrne - Producer - Production
- 2984712: Tina O'Reilly - Producer - Production
- 3255437: Philip King - Executive Producer - Production
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Reviews
r96sk
Review text:
A moving picture! I pretty much went into the cinema with <em>'That They May Face the Rising Sun'</em> totally blind in terms of what to expect, just the way I like it mind you. All I knew was that it was outta Ireland and based on a book, which I evidently hadn't heard of. I'm pl ....
Continue reading ->CinemaSerf
Review text:
There's something very potent about the Celtic habit of understating things. A few choice words, a bit of sarcasm or invocation of nature or, occasionally, religion coupled with some perfectly judged facial expressions or shrugs! It can be used to really good comic effect and to illu ....
Continue reading ->SPDonlan
Review text:
Pat Collins’ first narrative film largely, refreshingly, lacks a conventional narrative. Adapted from John McGahern’s final novel, it reveals the director’s considerable skill with both sight and sound, a fine cast, and a surprisingly explicit wink to Ozu. Collins lovingly frames ....
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