Overview:
In 1985, while working as a coal merchant to support his family, Bill Furlong discovers disturbing secrets kept by the local convent and uncovers truths of his own; forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church.| Status: | Released (2024-11-01) |
|---|---|
| Awards: | 4 wins & 11 nominations total |
| BoxOffice: | $1,600,956 |
| Screen: | Enda Walsh, Claire Keegan |
| Productions: | Artists Equity, Big Things Films, Wilder Content, Fís Éireann/Screen Ireland |
| Production Countries: | Belgium, Ireland, United States of America |
| Spoken Languages: | English |
Backdrops
Posters
Similars
Recommendations
Casts
- 2037: Cillian Murphy - Bill Furlong
- 1639: Emily Watson - Sister Mary
- 20057: Michelle Fairley - Mrs. Wilson
- 53999: Eileen Walsh - Eileen Furlong
- 2491820: Zara Devlin - Sarah Redmond
- 1851644: Clare Dunne - Sister Carmel
- 1520018: Helen Behan - Mrs. Kehoe
Crews
- 4180981: Zoë Gibney - Key Makeup Artist - Costume & Make-Up
- 1859641: Jelmen Palsterman - Visual Effects Supervisor - Visual Effects
- 2667903: Tanya Rosen - Second Assistant Director - Directing
- 2803202: Guillaume De Bergeyck - Foley Editor - Sound
- 1931054: Eimear Ennis Graham - Lighting Technician - Lighting
- 1484013: Daire Glynn - First Assistant Director - Directing
- 76267: Senjan Jansen - Sound Re-Recording Mixer - Sound
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Reviews
r96sk
Review text:
<em>'Small Things Like These'</em> is absorbing. I basically got exactly what I expected from this one. It's a slow burn, quiet film featuring a stellar, if somewhat understated, Cillian Murphy performance. The pacing is spot on and the story is undoubtedly engrossing, it's one th ....
Continue reading ->CinemaSerf
Review text:
A friend of mine used to own a big gay bar in Dublin, and I recall being in it the day that marriage was legalised in Eire. One of the women celebrating was telling us of her childhood at the hands of the nuns in the 1970s. It was a ghastly story of women who hadn't an ounce of compa ....
Continue reading ->Brent Marchant
Review text:
When it comes to minimalism in filmmaking, there’s deftly deliberate understatement, which can be a decidedly valuable asset, and then there’s cryptic obfuscation, which frequently leaves viewers scratching their heads. And, when it comes to this fourth feature outing from director T ....
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